• Ended Age

    Costly was the jewel won
    The king of caves, dead and gone
    His line scattered, mighty still
    And kinsmen beneath a fortified hill

    The age’s end cannot be stayed
    Through valor and sacrifice delayed
    Until revealed, the hidden land
    And throne of evil changes hands

    Names of the mighty, shining proud
    Forever sung and spoken aloud
    Their spirits lie in eternal rest
    In the fabled, storied, distant west
  • In Reel Life

    I am suspicious of those
    Whose big moments happen on screens
    Screams, schemes, realized dreams
    I do not know if when they roll
    They are themselves or in a role

    It's not that I don't like to share
    But I find it very hard to care
    When, like a costume, life is worn
    Instead of being lived, performed
  • Abbesses

    Perhaps I am the only one

    who finds having walked up 

    the Abbesses metro station in Paris

    endlessly fascinating

    37 meters from platform to street

    (a fact I discovered afterwards) and winding stairs 

    around which to send your words breathlessly up:

    “How many more steps?”

    You get lost as the path coils around you

    One step, two step, who steps, you step

    It doesn’t seem to end

    It’s only just begun

    You drift leftwards towards the wall

    aware it is lined with decades of dirt

    so you counter to the right

    but your foot is conscious

    that the step is smaller on that side

    so you repeat the process

    You exhale and your warm breath

    drifts upward; in fact it is already at street-level,

    where it has taken a seat

    on a yellow horse with a melted face,

    spinning around on this overpriced carousel,

    waiting for you to catch up

    You’ll get there eventually

  • Same Same But Different

    One day, we're going to look back at AI and see
    Not ourselves as we are, but as we were and will be
    And there will be no difference

    We'll write more of what we already wrote,
    The words commonly used, styles we all loved
    And there will be no revolution

    We'll game on and it will look like
    The games we all played once upon a time
    And there will be no evolution

    There will be singing, but it will sound like
    The songs we all know by heart, but lifeless
    And in them there will be no passion

    One day, the world will continue to turn
    While we turn with it; never against it or despite it
    And we will not know the difference
  • Office Haikus

    Summer through the glass
    I am stuck in the office
    Someone let me out

    Dust with every step
    Sweaty workers start their trek
    Philippine summer

    Above the city
    There is no green left to see
    We breathe filtered air

    Messages pop, pop!
    Endless chatter, day to day
    Close that laptop now

    People go blah, blah
    Sounds flying across the room
    No one hears a word
  • Rain On Brain

    Droplets crash to earth
    Hard rain falls on harder heads
    Goodbye, common sense
  • Middle

    What is there to complain about

    Nothing you need that you’re without

    Protest with a word, no need to shout

    You’re living the middle-class life


    Settled now, no need for schemes

    So what if you don’t live your dreams

    Don’t like the plot but love the themes

    You’re living the middle-aged life


    Once you woke up early and came home late

    Tried the wild life but now you’re straight

    Lots to love, very little to hate

    The middle-aged, middle-class life

  • Kompyuter

    “Ayan, ayan, kaka-kompyuter mo!” – a phrase ascribed to the stereotypical tech-challenged Filipino mom who sees computer use as frivolous and a distraction to the much more important business of academics. 

    I am 10 years old and my mother has just caught herself slipping on one of my toys. She almost crashed into the wall after stepping on a Tamiya which will never work again (at least, not properly). It doesn’t matter that my playing around with MS Dos had nothing to do with not picking up my toys on the ground; her immediate instinct is to assign blame for anything that goes wrong to what she sees as excessive computer use.

    “Ayan, ayan, kaka-kompyuter mo!”

    I am 12 years old and my mother has been called to the principal’s office. I don’t know it at the time but I have been selected to join an inter-school computing camp. So I sit outside the administration building waiting for her, as classmate after classmate passes by, snickering just because they think I am in trouble. But my mother steps out of the building with a huge grin on her face. She musses my hair. 

    “Ayan, kaka-kompyuter mo.” 

    I am 17 years old, opening a letter from my university of choice, getting in on a Computer Science scholarship. My mother is beaming. 

    “Ayan. Kaka-kompyuter mo.” 

    I am 19, telling my mother that together with a few friends, I am dropping out of school to build our own company. She does not understand. 

    “Ayan! Kaka-kompyuter mo!” 

    I am 25, walking up on stage as one of the Ten Outstanding Young Filipino Awardees. The automation software I developed has attracted both buyers and investors to our fledgling company. We choose to retain majority ownership and control. I shake the vice-president’s hand but my eyes are on my mother. I can see her mouthing the now-familiar phrase. 

    “Ayan, kaka-kompyuter mo.” 

    I am 35, standing in front of a house that I am giving to my aging mother. She gets two maids to attend to her every need, at her request. Why she needs them, I cannot understand, as the house already comes with prototypes developed with my proprietary technology. An automated kitchen, self-cleaning rooms, a top-notch security system, and an entertainment center, all controlled by the latest version of the A.I. I developed. She doesn’t understand how any of it works, but she couldn’t be more proud. She nudges me, and when I look down at her she is quietly weeping. 

    “Kaka-kompyuter mo.” 

    I don’t know exactly how old I am, just that it feels like years since the A.I. I developed became ubiquitous, then self-aware, then hostile to humanity. Cities have been leveled, millions have been killed around the world, and my mother and I are hiding out in our old family home. This is the one place I thought I would be safe from the A.I. that correctly believes that I am the only one with the power to stop it. I can hear the drones outside. This is the end. I look at my mother, hiding under the table beside me. With a deafening screech, the drones crash through the ceiling. Lasers drop down from their spherical bodies as red targeting dots appear on my mom’s forehead. I imagine I have one, too. My mom screams.

    “Ayan, ayan! Kaka-kompyuter mo!”

  • Be, Don’t See

    Steam fills up the room / I am alone with myself / Ten minutes of peace

  • Haruki-san

    Have you ever had your coffee served by an ogre, Haruki-san?

    Did it ever rain squirrels on your morning walk?

    Has your pasta ever gone limp because you got a call from a dolphin,

    Telling you about a secret mission organized by a goat man?



    I wonder if you’ve ever fallen in love with a woman’s ear,

    If that’s where it all comes from

    Tell me, Haruki-san



    Every time I read you I wonder where you get it

    And when the phone does ring

    And when the rain pours down

    And when I squeeze into an alley

    And when the mysterious man comes

    And when the narwhal asks to enter…

    I wonder, should I let it?